Muddy Archaeologist

Sign up

for the Free

Muddy Archaeologist email Newsletter

for the latest news and events


I promise never to pass your details to any third party

without your specific prior consent



Ancient History

Latin Classes





Illustrated Talks




For Schools





Other News


Contact Me










Gillian Hovell

is a


Accredited Lecturer


Member of

The Society of Authors


Copyright © Gillian Hovell



‘The Muddy Archaeologist’

is an identifying title

for Gillian Hovell,

independent freelance

Writer & Speaker,

historian and archaeologist


‘Visiting the Past Tours’

is the trading name of

Visiting the Past Ltd

 Registered Address:

212 Woodfield Rd


North Yorkshire

HG1 4JF  

Company No: 08315220

In association with


With thanks to

Bringing Colour, Depth and Meaning to Life today

by Digging Deep into History


“The Muddy Archaeologist is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by advertising and linking to [The Muddy Archaeologist (].”


The MuddyArchaeologist’s Blog

Contact Me

I shall ALWAYS reply.  






Talk/Event Managers



Ancient History




Tour/Cruise Organisers







Go on and explore


Special Pages for

Oratory is the practice of persuasive public speaking.  


Homer included speeches in his works in c.750 BC and those speeches were admired through antiquity.  The Greeks in Syracuse, Sicily in the 400s BC were the first recorded in antiquity to set down rhetorical rules.  The philosophers considered the aim of philosophical rhetoric to be to impart knowledge and other oratory separately to be for persuading audiences to some call to action, resolving court cases and praising or blaming.





Very early on, three types of oratory were identified:

genus iudiciale     judicial questions, before a court

genus deliberativum    deliberative, before an assembly/senate

genus demonstrativum  praise/blame to some person or act, eg. funeral speeches.


Aristotle noted that the person of the orator was crucial, as was the mood he induces in his audience and so was the argument/facts presented.



All speeches should follow a set pattern of essential parts to be achieved:

inventio       the finding/gathering of material

dispositio    the arrangement,

      eg. Put your weakest points in the middle

elocutio       the suitable expression in language & style: Figures, tropes, word-order, rhythm, euphony

memoria     committing to memory

action          delivery




Four outstanding speeches/orators were:


1.    Pericles’ funeral oration after mass funerals in the Peloponnesian War 431 BC







2.   Demosthenes (384-322 BC) was the most famous Greek orator, driving Athens’ foreign policy and speaking against the advancing Philip of Macedon (Alexander the Great’s father).


  Cicero (106-43 BC) was deemed by Romans (Quintilian at least!) to be a genius and equal and more to Demosthenes.





3.    The last Roman orator before Greek influence took hold in 200s/100s BC was Cato the Censor – practical, not ‘arty’ in any way; the ‘art’ of the  orator developed after his day, as Greek influences turned a practical skill into a literary art-form.  This caused a dilemma and friction for the Romans; a good Roman education was full of culture, Greek literature and philosophy but they wanted to consider their literature to be their own and to equal or surpass the Greeks (whom they had, after all, conquered).  Cicero wallowed in Greek culture but rather played down Greekness in his speeches.




By Cicero’s day, an Asiatic style was renowned for display and artificial affectation, while a reactive Attic style looked back to the directness and true feeling of ancient Greek orators.  Cicero chose a middle (‘Rhodian’) Attic approach that hated affectation but which played to the crowds as much as any Asiatic style oratory.  





4.    Cicero, in the 1st century BC was the greatest Roman orator.  His 40-year career included being Consul (top Roman) and he prosecuted Gaius Verres (governor of Sicily) and Catiline, and delivered 14 bitter invectives against Mark Antony and his despotic ways.  The latter got him included in Mark Antony’s proscriptions.  Cicero was killed as he half-heartedly fled to take a ship to save his life (but where does a great Roman orator go to anyway – what point is there in fleeing to a land where he cannot be Cicero the Statesman and Orator?).





Imperial oratory was stifled by suppression of free thought in a world dictated to by the Emperor’s total power; the art-form of the artificial, constructed Asiatic style won the day, most speeches being literary performances and exercises.







In the first century AD, Quintilian’s institutio oratoria urged wide education for students of oratory; an orator must also be a vir bonus (as Cato had said 300+ years earlier) working for the good of the state.  Rome’s view of oratory was that it was the ‘noblest of professions’, providing status, power, career – and it was a vital part of how Rome operated.






Roman education was dominated by learning the art of oratory.  All the effort and skill that it required was put to new uses in the new imperial age though - the Golden Age of Roman literature that began in the Republic and went on through Augustus’ reign was dominated by poetry, not oratory ...

The Muddy Archaeologist’s

Classical Civilisations Resources

The Romans

Classical Literature

Epic Poetry:  Homer & Hesiod     Drama      Philosophy    Historians


The Roman Republic    Oratory    Augustan Age     Silver Age   Novel Approach   Legacies


Classical Oratory